蒙骗

不同于同时期歌舞片沉溺于奢华布景的虚浮感，《蒙骗》凭借光影精妙的特写镜头，在扑朔迷离的谎言叙事中营造出一种逼仄而迷人的黑色迷雾感。影片采用类似《圣经》史诗的三幕剧结构，在封闭场景中通过精密的镜头调度展现戏剧张力，实则是西部片与道德剧的融合体。戴米尔对镜头的掌控很有意思，他处理演员互动时那种若即若离的张力，加上早川雪洲特有的冷峻气质，让整个故事显得格外高级。如果你喜欢那种情绪被拉扯、最后才发现真相时背脊发凉的剧情，这部绝对能给你满分的体验。影片在封闭式舞台调度与开放性自然环境中构建张力，将"顺从即毁灭"的戏剧内核凝练为令人窒息的视听语言，为好莱坞早期叙事剧提供了极致的东方主义注脚。 喜欢早川雪洲的，或者对这种超早期的惊悚片、黑色电影感兴趣的朋友，这绝对适合消遣看看。

Edith Hardy uses charity funds for Wall Street investments in hopes of buying some new gowns. She loses all the money and borrows from wealthy oriental Tori. When her husband gives her the amount she borrowed, Tori won't take it back, branding her shoulder with a Japanese sign of his ownership. She shoots him. Her husband takes the blame. In court Edith reveals all to an angry mob. Written by Ed Stephan {stephan@cc.wwu.edu}　　Richard Hardy, a hardworking stockbroker, labors overtime to keep up with the ruinous bills incurred by his beautiful but irresponsible wife Edith, a venal, spoiled socialite who is impervious to his pleas for fiscal restraint. Acting on what she believes to be an insider information, she impulsively embezzles $10,000 from the Red Cross charity she chairs for a stock tip. When she finds the money has been lost, she desperately turns to a Japanese ivory trader with whom she has been thoughtlessly flirting and persuades him to replace the money in exchange for an assignation. When her husband's long-awaited business deal finally materializes, she desperately tries to withdraw from their agreement by replacing the money. Angered and disappointed with her resistance to his advances, he uses a branding device to mark her shoulder as his property. Feeling violated, Edith shoots him in the shoulder and leaves. In order to protect his wife's reputation, Richard confesses to the crime and faces trial for attempted murder. Written by Gabe Taverney (duke1029@aol.com)

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