领头羊

这部《领头羊》和那些靠一惊一乍吓人的恐怖片不同，它的恐怖感来自日常秩序的缓慢崩塌。这片子适合那种不喜欢一惊一乍、更愿意慢慢被心理折磨的观众——比如喜欢《女巫》或《遗传厄运》的朋友，应该会爱。镜头老怼着空旷的农场和沉默的羊群，环境音放得特别大，让你老觉得有什么东西不对劲。演员方面，Flora Plumb演得特别真实，她那股子从怀疑到崩溃的劲儿，全靠眼神和发抖的手指带出来，没有那种夸张的尖叫，反而更吓人。这部影片尤其适合那些厌倦了血浆与尖叫、更看重心理压迫与隐喻层次（比如群体盲从与个体觉醒）的恐怖片观众——它像一根越拧越紧的弦，直到最后一刻才在无声中崩断。导演对声音设计的执着——羊毛撕裂声、雪地脚步声的渐强混响——让每一帧都像即将断弦的弓。

To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She's dangerous. She's a bellwether a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world's first one-person film (a movie with only one on-screen character) that features a woman.

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